Wednesday, August 26, 2020

Hamlet Drama Essay Example For Students

Hamlet Drama Essay To bite the dust, is forsake this nursery choked by weeds. To take one’s life, is to lighten unrest from the heart. Albeit amazingly enticing, Hamlet can't, hence won't end it all. For he trusts God â€Å"had†¦ fixed/his group ‘gainst self-butcher! † (line 131-132 p. 166). With this in his psyche he hauls his weight further and more profound into a pit of anguish. Dispensed upon him were the unbearably difficult blows of his father’s demise and the depraved marriage of his mom and uncle. Hamlet held his dad with high regard considering him a fantastic lord and Hyperion. He hates his â€Å"more than kinfolk, and not exactly kind† (line 65 p. 165) stepfather, shouting, â€Å"So astounding a ruler, that was, to this! /Hyperion to a satyr† (line 139-140 p. 166). He shows hatred towards his uncle, Claudius, but at the same time is plagued with anguish over his mother’s rushed marriage, shouting out, â€Å"She wedded O, most mischievous speed, to post/with such expertise to perverted sheets! /It isn't nor it can't come to great:/But break, my heart† (line 166-169 p. 67). At that point, the soul of King Hamlet visits Elsinor to uncover to his child, â€Å"the snake that stung thy father’s life currently wears his crown. † (lines 39-40 p. 172). The soul asks, â€Å"If thou didst ever the dear dad love †retribution his foul and most unnatural homicide. Hamlet must retaliate for his father’s unnatural and frightful demise! He promises to vindicate however defers his retaliation passing up on chances one just after the other. In the Shakespearean play, Hamlet, the contention originates from Hamlet’s Christian and good convictions and his need to vindicate his father’s murder. Rather than raging into Claudius’ space to execute him subsequent to hearing what the apparition uncovered, Hamlet must find direct whether the phantom is coming clean of what his identity is and if his story is authentic. He says, â€Å"The soul that I have seen/might be the fallen angel: and the demon hath power/to accept a satisfying shape; yea, and maybe/out of my shortcoming and my despairing,/As he is intense with such spirits,/manhandles me to damn me† (line 632-637 p. 188). Hamlet’s Christian conviction is that the fallen angel can fix its manner to exploit a person’s shortcoming to mishandle them. This causes a postponement in that he should make an arrangement and complete the arrangement so as to confirm the ghost’s allegations of Claudius and his demise. Hamlet meets with players and concludes he will have them carry on something like the homicide of his dad and watch his uncle’s response. â€Å"I’ll tent him to the snappy: on the off chance that he however flinch, I know my course, †¦ I’ll have grounds more relative than this: the play’s the thing wherein I’ll get the inner voice of the lord. † Hamlet presently has apparatuses for his vengeance: an arrangement, yet considers self destruction. This is obvious in his third speech, saying, â€Å"To be or not to be: that is the question:†¦to endure the slings and bolts of over the top fortune, or†¦ by restricting end them: To bite the dust: to sleep:†¦ by a rest to state we end the heart-throb and the thousand normal shocks†¦shuffled off this human curl. † (line 56-67). This is Hamlet’s most noteworthy inward clash. He doesn't need anything to do with this world. He needs to leave his tribulations and tumble to the interminable serene rest yet in his Christian conviction God damns the individuals who submit â€Å"self-slaughter†. In this monologue Hamlet shows an absence of self-inspiration. He is overwhelmed by so much disturbance that he doesn’t need to do anything, not vindicate his father’s murder yet to simply pass on and abandon his issues. Hamlet’s state of mind swings into retribution mode as he sees Claudius’ uncovering face as he watches the play named, Mouse-trap, that Hamlet mentioned particularly for him. By Claudius’ response to the play the ghost’s story is checked to be valid. After the play he scans for Claudius and discovers him in â€Å"prayer† or what he thinks to be supplication. .ude304652bb842f477a4321a22ea16da0 , .ude304652bb842f477a4321a22ea16da0 .postImageUrl , .ude304652bb842f477a4321a22ea16da0 .focused content zone { min-tallness: 80px; position: relative; } .ude304652bb842f477a4321a22ea16da0 , .ude304652bb842f477a4321a22ea16da0:hover , .ude304652bb842f477a4321a22ea16da0:visited , .ude304652bb842f477a4321a22ea16da0:active { border:0!important; } .ude304652bb842f477a4321a22ea16da0 .clearfix:after { content: ; show: table; clear: both; } .ude304652bb842f477a4321a22ea16da0 { show: square; change: foundation shading 250ms; webkit-progress: foundation shading 250ms; width: 100%; obscurity: 1; change: darkness 250ms; webkit-progress: murkiness 250ms; foundation shading: #95A5A6; } .ude304652bb842f477a4321a22ea16da0:active , .ude304652bb842f477a4321a22ea16da0:hover { haziness: 1; change: mistiness 250ms; webkit-progress: haziness 250ms; foundation shading: #2C3E50; } .ude304652bb842f477a4321a22ea16da0 .focused content region { width: 100%; position: relative; } .ude304652bb842f477a4321a22ea16da0 .ctaText { fringe base: 0 strong #fff; shading: #2980B9; text dimension: 16px; textual style weight: striking; edge: 0; cushioning: 0; text-enhancement: underline; } .ude304652bb842f477a4321a22ea16da0 .postTitle { shading: #FFFFFF; text dimension: 16px; textual style weight: 600; edge: 0; cushioning: 0; width: 100%; } .ude304652bb842f477a4321a22ea16da0 .ctaButton { foundation shading: #7F8C8D!important; shading: #2980B9; outskirt: none; fringe range: 3px; box-shadow: none; text dimension: 14px; textual style weight: intense; line-stature: 26px; moz-fringe span: 3px; text-adjust: focus; text-beautification: none; text-shadow: none; width: 80px; min-stature: 80px; foundation: url(https://artscolumbia.org/wp-content/modules/intelly-related-posts/resources/pictures/straightforward arrow.png)no-rehash; position: supreme; right: 0; top: 0; } .ude304652bb842f477a4321a22ea16da0:hover .ctaButton { foundation shading: #34495E!important; } .ude304652bb842f 477a4321a22ea16da0 .focused content { show: table; stature: 80px; cushioning left: 18px; top: 0; } .ude304652bb842f477a4321a22ea16da0-content { show: table-cell; edge: 0; cushioning: 0; cushioning right: 108px; position: relative; vertical-adjust: center; width: 100%; } .ude304652bb842f477a4321a22ea16da0:after { content: ; show: square; clear: both; } READ: William Shakespeares Othello Analysis EssayThis is the peak of Hamlet. Claudius is separated from everyone else, clueless and powerless. Hamlet sees this and says to him self, â€Å"Now may I do it pat, presently he is imploring. Furthermore, presently I’ll do’t. Thus he goes to heaven;†¦A miscreant slaughters my dad; and for that, I, his sole child, do this equivalent scoundrel send to heaven†¦ He took my dad terribly, loaded with bread; with every one of his violations wide blown, as flush as May:†¦ No! At the point when he is flushed sleeping, or in his rage†¦ or about some demonstration that has no relish of salvation in’t;†¦ And that his spirit may be†¦ damned†¦Ã¢â‚¬  (lines 66-87 p. 98). He could have murdered him he had the best chance yet he postponed for in his Christian conviction, when one is â€Å"in the cleansing of his soul† (line 78 p. 198) he will be sent to paradise. Hamlet didn’t need to send Claudius to the interminable heaven his dad was denied of, so Hamlet leaves for a progressively vindictive occasion. In any case, the King was not and couldn't supplicate miserably saying â€Å"My words fly up, my contemplations stay underneath:/Words without considerations never to paradise go. † (lines 90-91 p. 198). A botched chance. Claudius couldn't apologize for his wrongdoings for he didn't feel regretful enough to surrender his underhanded prizes of intensity, aspiration and his brother’s sovereign. Starting here on everything goes down slope. Close to the end Hamlet at last understands his activities have been weak postponed. â€Å"How all events do advise against me,/and prod my dull retribution! †¦/Bestial obscurity, or some fearful second thought/of reasoning too unequivocally on the occasion,/an idea which, quartered, hath however one section intelligence/and ever three sections coward,†¦/Sith I have cause and will and quality and means/to do’t. † (lines 33-46 p. 206). At long last he understands something important to him. His fainthearted hesitance is because of moral contemplations. He is so baffled with himself he puts all his Christian and good convictions aside to retaliate for his father’s demise and swears, â€Å"from this time forward,/My musings be ridiculous, or be not much! † (lines65-66 p. 207). At long last it was to late. Hamlet’s delay in real life were consequences of his Christian and good convictions and his need to retaliate for his father’s murder. His stalling turned into his defeat prompting the disastrous passing of his mom, Learertes, Claudius, and himself. Hamlet was the fallen saint that held on to long.

Saturday, August 22, 2020

Theory of Modern Art Institutions

It resembles time travel to see vintage pictures from the 1960s of Yves Klein making craftsmanship utilizing the stripped groups of young ladies, blue paint, and paper surfaces. Watching his procedure of creation, it is anything but difficult to perceive any reason why a few individuals from the general population surrendered in confusion and objection at ‘modern art’, and still do so today.Advertising We will compose a custom article test on Theory of Modern Art Institutions explicitly for you for just $16.05 $11/page Learn More It is additionally straightforward the response of governments that give financing to social exercises. On the off chance that the day by day news is any measure, they regularly excuse such shows as shenanigans, improper, inconsequential, or just not establishing craftsmanship by any means. Foundations of culture, for example, exhibition halls, may have comparative concerns. Be that as it may, in our decade, they appear to wish to decide in favo r of tolerating as workmanship things that probably won't be craftsmanship, instead of gambling ignoring a work or a craftsman that history will show to have had merit. Klein himself appears to have been attempting to disconnect the experience of craftsmanship from anything that would draw in the watcher, to a great extent in an institutional setting, regardless of whether by dispensing with different hues, concentrating on blue to the rejection of all others, by guiding ladies to utilize different women’s bodies as paintbrushes, or by proposing structures completely without dividers or furniture. Nonetheless, as odd as this can appear, he has been acknowledged by conspicuous foundations, for example, the Hirschorn Museum. His recommendations fit into a continuum of separation from the genuine and the solid that has been apparent in the workmanship and the composition on craftsmanship in the twentieth century. In his piece entitled â€Å"The Evolution of Art towards the Imma terial†, Klein portrays how he showed up at the possibility that even two hues were too much. He felt that the nearness of two hues would include the watcher in a visual exercise that he didn't mean. Subsequent to seeing that the watchers reacted to a mass of works of art of various hues by attempting by one way or another to frame them into one reasonable entire, regardless of whether he didn't plan that to be the translation. This wonder mirrors the institutional district wherein his work showed up. All things considered, if watchers were seeing each painting in turn in a private home or a corporate office, they couldn't make this visual examination and re-translation of his paintings.Advertising Looking for exposition on craftsmanship and structure? We should check whether we can support you! Get your first paper with 15% OFF Learn More In response to this experience, he says, â€Å"I definitely and completely decline to introduce on one surface even the interchange of two colors†[1] In this case, the help of organizations of workmanship really neutralized his motivations. At the point when one ganders at the recording from a resulting decade, archiving his works utilizing blue ladies, which are advantageously recorded in bits on YouTube[2], it is enticing to consider this to be a trick. Be that as it may, considering the readings, this way to deal with craftsmanship fits conveniently, assuming oddly, into a movement of thought and practice over the center many years of the twentieth Century. For instance, consider Michel Foucault’s adept addressing of the entire idea of authorship[3] in What is an Author? On account of the blue ladies, there is a sensible inquiry with regards to whether the creator is Klein, the lady controlling the paint-secured lady, or maybe even the paint-secured lady herself. The entire establishments of distributing, where the name related with a work is urgent, as Foucault notes[4], and the accentuation on attrib ution in historical centers are completely called into question by the utilization of such a method. As another case of how Klein’s work fits into the temperament of the time, consider Germano Celant’s support of â€Å"an blameless art’[5] in his piece entitled Arte Povera. With regards to Celant’s emphasis on absolute effortlessness, nothing could be less complex. What does the ‘poor’ craftsman need aside from a pail of paint, a surface, and a bare body? Klein’s strategy perfectly kills the requirement for the entire custom of scholastic craftsmanship preparing, and related schools, trusts, establishments, grants, entry level positions, artists’ states, not to talk about the whole business division of workmanship flexibly stores. At long last, Klein’s way to deal with workmanship fits with the populist position of Joseph Beuys’ paper; I am Searching for Field Character. At the point when he states, â€Å"This mo st current workmanship discipline †Social Sculpture/Social Architecture †will possibly arrive at fulfillment when each living individual turns into a designer, a stone carver, or modeler of the social organism†[6], he could be depicting a definitive sensible working out of Klein’s method. The craftsman could be the brush if need be.Advertising We will compose a custom exposition test on Theory of Modern Art Institutions explicitly for you for just $16.05 $11/page Learn More There is no requirement for preparing, no requirement for extravagant recognition. The individual can just strip, apply paint to self, and put forth a concentrated effort to surface. The arbitrary idea of the outcome is obviously satisfactory. Neither ability nor preparing is required. Everybody can be their own craftsman. No requirement for craftsmanship authenticators, or sale houses, or measurable workmanship specialists, and all the establishments related with them! Considering these re adings, the 1960’s work of Klein can be viewed as a consistent advancement away from craftsmanship that one glances at and ponders going to, in the end, workmanship that one lives, maybe truly. The readings clarify that the mid-century term was a period in which the relationship of workmanship to a wide range of establishments was being raised doubt about. In any case, it has been progressively when historical centers have been more liberal and open to new structures than any other time in recent memory. Without their help, any craftsman would experience issues in publicizing their work and thoughts. This keeps on being the situation, even in the period of the web. Therefore, there is by all accounts a proceeding with strain, detectable with regards to these readings and now also, between a requirement for organizations and a desire to abstain from them totally. Reference index Beuys, Joseph. â€Å"I Am Searching for Field Character.† In Art in Theory: 1900-2000, by C. Harrison and P. Wood, 929-930. Oxford: Wiley-Blackwell, 2002. Celant, Germano. â€Å"Arte Povera.† In Art in Theory: 1900-2000, by C. Harrison and P. Wood, 897-900. Oxford: Wiley-Blackwell, 2002. Foucault, Michel. â€Å"What is an Author?† In Art in Theory: 1900-2000, by C. Harrison and P. Wood, 949-953. Oxford: Wiley-Blackwell, 2002.Advertising Searching for article on workmanship and structure? How about we check whether we can support you! Get your first paper with 15% OFF Find out More Klein, Yves. â€Å"The Evolution of Art Towards the Immaterial.† In Art in Theory: 1900-2000, by C. Harrison and P. Wood, 818-820. Oxford: Wiley-Blackwell, 2002. â€. â€Å"Yves Klein’s Anthropometries: Selection from Yves Klein: The Blue Revolution.† Hirschornmuseum. Franã §ois Lã ©vy-Kuentz. 2007. Web. References Klein, Yves. â€Å"The Evolution of Art Towards the Immaterial†, in Harrison, C., and Wood, P.. Craftsmanship in Theory: 1900-2000. (Oxford, Wiley-Blackwell, 2002). Page 818. (Klein, Yves Klein’s Anthropometries: Selection from Yves Klein: The Blue Revolution 2007). Foucault, Michel. â€Å"What is an Author?†, in Harrison, C. furthermore, Wood, P. Workmanship in Theory: 1900-2000. (Oxford, Wiley-Blackwell, 2002). Page 950. (Foucault 2002, 949). Celant, Germano. â€Å"Art Povera†, in Harrison, C. also, Wood, P. Workmanship in Theory: 1900-2000. (Oxford, Wiley-Blackwell, 2002). Page 899. Beuys, Joseph. â€Å"I am Searchin g for Field Character†, in Harrison, C. what's more, Wood, P. Workmanship in Theory: 1900-2000. (Oxford, Wiley-Blackwell, 2002). Page 929. This paper on Theory of Modern Art Institutions was composed and put together by client Ellis Tyler to help you with your own investigations. You are allowed to utilize it for research and reference purposes so as to compose your own paper; in any case, you should refer to it in like manner. You can give your paper here.

Tuesday, August 18, 2020

Describe a personality essay sample

Describe a personality essay sample Determinants of human personality We all know that different people have their own points of view, experience, skills, knowledge, and personal characteristics. Its possible to find a lot of conception of personality from various books though there is no concrete one to define it. There are 4 main determinants of human personality: Biological factor: it includes three base things: 1) heredity â€" means that personal qualities are transmitted from the previous generation to the next; 2) brain â€" means that better brain has better understanding of behavior and personality (in accordance with ESB research); 3) physical characteristics of people. Culture factor: it defines the personality because we know that different people have different culture. Social factor: this is mostly family factor that forms the human personality. Situational factor: people behavior individually depending on curtain situation. Another approach to define the personality can be done through the understanding of the human trait process. Researchers R. Cattell and G. Allport made their studies in this field. Gordon Allport was the first who defined 6 factors that define personal qualities of people: theoretical; social; economic; religious; political; aesthetical. Later, in 1965 R. Cattell made his work based on Allports theory. He made a lot of researches and surveys to understand the personality. The scientists chose 171 words that can be used to describe people personality, separating them on source and surface traits. This information was used in further studying of other psychologists. For example, British scientist H. Eysenck build his 3-factor model of people personality: instability-stability, psychoticism and extroversion-introversion. According to his researches, these personality measurements can give us main patterns of human personality. Nowadays, the model of personality includes 5 main factors: conscientiousness; neuroticism; extroversion; openness; agreeableness. The psychodynamic theory of personality according to Freud and Erikson According to Sigmund Freud, the personality consists from 3 parts: ego, superego and ID. Lets see how this theory explains the human behavior. The people ID is responsible for all persons needs, when a superego is responsible for morality. And the ego is a kind of moderator between the reality, ID and superego. For example, when your ID tells “I want to do this”, and your ego says “no, you cant”, it means you wont do this. According to Freud, there are 7 stages of development the personality. On the Erik Erikson theory, he says that a personality has eight stages of progress with some conflict on each period. The success defines with overcoming of these conflicts on each stage of development.

Sunday, May 24, 2020

MADRID Surname Meaning and Family History

The Madrid  surname was often used to denote  someone  who came from Madrid. During the Middle Ages when the  surname came into being, Madrid was a modest-sized town; only becoming the capital of Spain in 1561. The origin of the name is uncertain, but possibly  a derivative of Late Latin  matrix, meaning riverbed. When Jews converted to Christianity in Spain in the 15th century, whether voluntarily or by force, they often took a last name based on their town or city or origin. Surname Origin:  Spanish, Jewish Alternate Surname Spellings:  Lamadrid, De La Madrid Famous People with the Surname MADRID Miguel de la Madrid  - President of Mexico from 1982–1989Juan Madrid - Spanish writer Places the MADRID Surname Is Common The Madrid  surname is most prevalent in Mexico, according to surname distribution data from Forebears, where it ranks 449th in the nation. Based on population percentage, however, it  is most common in Honduras, where it ranks as the nations 58th most common surname. Madrid is also a frequent surname in many other Hispanic countries, including  the Philippines, Spain, Chile, Colombia,  Venezuela, Guatemala, El Salvador, and Panama. WorldNames PublicProfiler identifies the Madrid surname as being somewhat common in Spain, especially in the regions of Murcia and Castilla-La Mancha, followed by Andalucia, Communidad Valencia, Cataluna, and Castilla Y Leon.  Madrid is also found in more significant  numbers in northwest Argentina and the southwestern United States, particularly in the state of New Mexico. Genealogy Resources for the Surname MADRID 50 Common Hispanic Surnames Their MeaningsGarcia, Martinez, Rodriguez, Lopez, Hernandez, are you one of the millions of people sporting one of these top 50 common Hispanic last names?Get started researching your Jewish roots with this guide to basic genealogy research, unique Jewish resources and records, and suggestions for the best Jewish genealogy Web sites and databases to search first for your Jewish ancestors.How to Research Hispanic AncestryExplore these 10 steps to help you uncover your Hispanic ancestors, including the basics of family tree research in Spain, Latin America, Mexico, Brazil, and other Spanish speaking countries.Madrid  Family Crest - Its Not What You ThinkContrary to what you may hear, there is no such thing as a Madrid  family crest or coat of arms for the Madrid surname.  Coats of arms are granted to individuals, not families, and may rightfully be used only by the uninterrupted male-line descendants of the person to whom the coat of arms was original ly granted.MADRID Family Genealogy ForumSearch this popular genealogy forum for the Madrid surname to find others who might be researching your ancestors, or post your own Madrid query.FamilySearch - MADRID  GenealogyExplore over 270,000  historical records which mention individuals with the Madrid surname, as well as online Madrid family trees on this free website hosted by the Church of Jesus Christ of Latter-day Saints.DistantCousin.com - MADRID Genealogy Family HistoryFree databases and genealogy links for the last name Madrid.GeneaNet - Madrid  RecordsGeneaNet includes archival records, family trees, and other resources for individuals with the Madrid  surname, with a concentration on records and families from France and other European countries.The Madrid  Genealogy and Family Tree PageBrowse family trees and links to genealogical and historical records for individuals with the last name Madrid  from the website of Genealogy Today. Sources: Cottle, Basil.  Penguin Dictionary of Surnames. Baltimore, MD: Penguin Books, 1967.Dorward, David.  Scottish Surnames. Collins Celtic (Pocket edition), 1998.Fucilla, Joseph.  Our Italian Surnames. Genealogical Publishing Company, 2003.Hanks, Patrick, and Flavia Hodges.  A Dictionary of Surnames. Oxford University Press, 1989.Hanks, Patrick.  Dictionary of American Family Names. Oxford University Press, 2003.Reaney, P.H.  A Dictionary of English Surnames. Oxford University Press, 1997.Smith, Elsdon C.  American Surnames. Genealogical Publishing Company, 1997. Back toGlossary of Surname Meanings Origins

Wednesday, May 13, 2020

Essay on Why Britain Won the Battle of Britain - 4008 Words

Why Britain Won the Battle of Britain After taking France in addition to his list of captured countries on mainland Europe, Adolf Hitler set his sights on Britain. After the success of Blitzkrieg, the evacuation of Dunkirk and the surrender of France, Britain was by herself. However, before Hitler could contemplate undertaking an invasion he was advised by his generals that Germany had to destroy the Fighter Command of the Royal Air Force in order to gain superiority in the air. This would in turn enable him to gain control of the English Channel in order to transfer the 160,000 German troops on the 2000 invasion barges, which had been assembled in German, French and Belgian harbors, over the†¦show more content†¦For example, under the category of technology I could say that one reason why Britain won the battle of Britain was because they had the services of the radar system. Firstly, the tactics employed by both sides would play a key role in itself to deciding the outcome of the Battle of Britain. The battle started on July 10th 1940 when the Luftwaffe attempted to gain control of the Straits of Dover. The tactics employed by the Luftwaffe was to tempt the RAF out for a full-scale battle. However, by the end of July, the RAF had lost 150 aircraft while the Luftwaffe had lost 268. These figures illustrate that there was a much greater loss of aircraft experienced by Germany than the British. These large losses of planes from the outset of a battle would have been a significant blow to any army however, this would have damaged German morale as a greater loss of planes was not something they would have contemplated and as they were coming into this battle with such high expectations, this would have been a significant blow to the Luftwaffe and a stern wake up call to their commanders. However, Britain too was suffering, it was the loss of trained pilots that was crippling the RAF, and the real battle had yet to begin. In August, the Luftwaffe changed their tactics and started to attack Fighter Commands airfields, operation rooms and radar stations - the idea being that the RAFShow MoreRelatedThe Importance of the Battle of Britain In World War Two Essay1560 Words   |  7 PagesThe Importance of the Battle of Britain In World War Two In this essay I will explain why I think The Battle of Britain was the most important turning point in World War Two. I think this because although there was many turning points that were important to the direction the war took, The Battle of Britain showed for the first time that Hitler and the Nazis could be defeated and if Germany had won the battle, Britain and possibly the world would be a completely differentRead MoreEssay about The War of 18121719 Words   |  7 Pagesdeclared war on Great Britain. 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Wednesday, May 6, 2020

Spirit Bound Chapter Nineteen Free Essays

string(27) " his fingers over my lips\." â€Å"ARE YOU CRAZY?† I ASKED. He gave me the same wordless look he always did when I asked that question. I sighed and tried again. We will write a custom essay sample on Spirit Bound Chapter Nineteen or any similar topic only for you Order Now â€Å"A party? That’s pushing it, even for you. People just died! Guardians. Priscilla Voda.† Not to mention, people had just come back from the dead. Probably best to leave that part out. â€Å"This isn’t the time to get trashed and play beer pong.† I expected Adrian to say that it was always a good time for beer pong, but he remained serious. â€Å"Actually, it’s because people died that there’s going to be a party. It’s not a kegger type. Maybe party’s not even the right word. It’s a†¦Ã¢â‚¬  He frowned, grasping at words. â€Å"A special event. An elite one.† â€Å"All royal parties are elite ones,† I pointed out. â€Å"Yeah, but not every royal is invited to this. It’s the†¦ well, elite of the elite.† That really wasn’t helping. â€Å"Adrian–â€Å" â€Å"No, listen.† He made that familiar gesture of his that indicated frustration, running his hand through his hair. â€Å"It’s not so much a party as a ceremony. An old, old tradition from†¦ I don’t know. Romania, I think. They call it the Death Watch. But it’s a way to honor the dead, a secret that’s been passed on through the oldest bloodlines.† Flashbacks of a destructive secret society at St. Vladimir’s came back to me. â€Å"This isn’t some Mana thing, is it?† â€Å"No, I swear. Please, Rose. I’m not all that into it either, but my mom’s making me go, and I’d really like it if you were there with me.† Elite and bloodline were warning words to me. â€Å"Will there be other dhampirs there?† â€Å"No.† He then added quickly, â€Å"But I made arrangements for some people you’ll approve of to be there. It’ll make it better for both of us.† â€Å"Lissa?† I guessed. If ever there was an esteemed bloodline, hers was it. â€Å"Yeah. I just ran into her at the medical center. Her reaction was about like yours.† That made me smile. It also piqued my interest. I wanted to talk to her more about what had happened during her visit to Dimitri and knew she’d been avoiding me because of it. If going to some silly royal ritual or whatever it was could get me to her, then so much the better. â€Å"Who else?† â€Å"People you’ll like.† â€Å"Fine. Be mysterious. I’ll go to your cult meeting.† That earned me a return smile. â€Å"Hardly a cult, little dhampir. It really is a way to pay last respects to the people killed in that fight.† He reached out and ran a hand along my cheek. â€Å"And I’m glad†¦ God, I’m so glad you weren’t one of them. You don’t know†¦.† His voice caught, the flippant smile trembling for a moment before stabilizing again. â€Å"You don’t know how worried I was. Every minute you were gone, every minute I didn’t know what had happened to you†¦ it was agony. And even after I heard you were okay, I kept asking everyone at the medical center what they knew. Had they seen you fight, did you get hurt†¦Ã¢â‚¬  I felt a lump in my throat. I hadn’t been able to see Adrian when I’d returned, but I should have sent a message, at least. I squeezed his hand and tried to make a joke of something that really wasn’t funny. â€Å"What’d they say? That I was a badass?† â€Å"Yeah, actually. They couldn’t stop talking about how amazing you were in battle. Word got back to Aunt Tatiana too about what you did, and even she was impressed.† Whoa. That was a surprise. I started to ask more, but his next words brought me up short. â€Å"I also heard you were yelling at anyone you could to find out about Belikov. And that you were beating down the guardians’ doors this morning.† I looked away. â€Å"Oh. Yeah. I†¦ Look, I’m sorry, but I had to–â€Å" â€Å"Hey, hey.† His voice was heavy and earnest. â€Å"Don’t apologize. I understand.† I looked up at him. â€Å"You do?† â€Å"Look, it’s not like I didn’t expect this if he came back.† I glanced back at him hesitantly, studying his serious expression. â€Å"I know. I remember what you said before†¦.† He nodded, then gave me another rueful smile. â€Å"Of course, I didn’t actually expect any of this to work. Lissa tried to explain the magic she used†¦ but good God. I don’t think I could ever do anything like she did.† â€Å"Do you believe?† I asked. â€Å"Do you believe he’s no longer Strigoi?† â€Å"Yeah. Lissa said he’s not, and I believe her. And I saw him from a distance out in the sun. But I’m not sure it’s a good idea for you to try to see him.† â€Å"That’s your jealousy talking.† I had absolutely no right to sound accusing, considering the way my heart was all tangled up over Dimitri. â€Å"Of course it’s jealousy,† said Adrian nonchalantly. â€Å"What do you expect? The former love of your life comes back–from the dead, no less. That’s not something I’m really excited about. But I don’t blame you for feeling confused.† â€Å"I told you before–â€Å" â€Å"I know, I know.† Adrian didn’t sound particularly upset. In fact, there was a surprisingly patient tone in his voice. â€Å"I know you said him coming back wouldn’t affect things between us. But saying one thing before it happens and then actually having that thing happen are two different things.† â€Å"What are you getting at?† I asked, kind of confused. â€Å"I want you, Rose.† He squeezed my hand more tightly. â€Å"I’ve always wanted you. I want to be with you. I’d like to be like other guys and say I want to take care of you too, but†¦ well. When it comes down to it, you’d probably be the one taking care of me.† I laughed in spite of myself. â€Å"Some days I think you’re in more danger from yourself than anyone else. You smell like cigarettes, you know.† â€Å"Hey, I have never, ever said I was perfect. And you’re wrong. You’re probably the most dangerous thing in my life.† â€Å"Adrian–â€Å" â€Å"Wait.† With his other hand, he pressed his fingers over my lips. You read "Spirit Bound Chapter Nineteen" in category "Essay examples" â€Å"Just listen. It’d be stupid for me to think that your old boyfriend coming back isn’t going to have any effect on you. So do I like you wanting to see him? No, of course not. That’s instinct. But there’s more, you know. I do believe that he’s a dhampir again. Absolutely. But†¦Ã¢â‚¬  â€Å"But what?† Adrian’s words had me more curious than ever now. â€Å"But just because he isn’t a Strigoi doesn’t mean it’s entirely gone from him. Hold on.† Adrian could see my mouth opening in outrage. â€Å"I’m not saying he’s evil or means to be evil or anything like that. But what he went through†¦ It’s huge. Epic. We really don’t know much about the changing process. What effect did that kind of life have on him? Are there violent parts of him that might suddenly lash out? That’s what I’m worried about Rose. I know you. I know you aren’t going to be able to help yourself. You’ll have to see him and talk to him. But is it safe? That’s what no one knows. We don’t know anything about this. We don’t know if he’s dangerous.† Christian had said the same thing to Lissa. I examined Adrian intently. It sounded like a convenient excuse to keep Dimitri and me apart. Yet, I saw truth in those deep green eyes. He meant it. He was nervous about what Dimitri might do. Adrian had also been honest about being jealous, which I had to admire. He hadn’t ordered me not to see Dimitri or tried to dictate my behavior. I liked that too. I extended my hand and laced my fingers with Adrian’s. â€Å"He’s not dangerous. He’s†¦ sad. Sad for what he’s done. The guilt’s killing him.† â€Å"I can imagine. I probably wouldn’t forgive myself either if I suddenly realized I’d been brutally killing people for the last four months.† Adrian pulled me to him and kissed the top of my head. â€Å"And for everyone’s sake–yes, even his–I really hope he is exactly the way he was. Just be careful, okay?† â€Å"I will,† I said, kissing his cheek. â€Å"Inasmuch as I ever am.† He grinned and released me. â€Å"That’s the best I can hope for. For now, I’ve got to head back to my parents’ for a little bit. I’ll come back for you at four, okay?† â€Å"Okay. Is there anything I should wear to this secret party?† â€Å"Nice dress clothes are fine.† Something occurred to me. â€Å"If this is so elite and prestigious, how are you going to get a lowly dhampir like me in?† â€Å"With this.† Adrian reached for a bag he’d set down upon entering. He handed it to me. Curiously, I opened the bag and gaped at what I saw. It was a mask, one that just covered the top half of the face around the eyes. It was intricately worked with gold and green leaves and bejeweled flowers. â€Å"A mask?† I exclaimed. â€Å"We’re wearing masks to this thing? What is this, Halloween?† He winked. â€Å"See you at four.† We didn’t actually put on the masks until we arrived at the Death Watch. As part of the secret nature of it all, Adrian said we didn’t want to call any attention to ourselves while going to it. So we walked across the Court’s grounds dressed up–I wore the same dress I’d worn to dinner at his parents’–but not getting much more notice than the two of us usually did when we were together. Besides, it was late, and a lot of the Court was getting ready for bed. Our destination surprised me. It was one of the buildings that non-royal Court workers lived in, one that was very near Mia’s. Well, I supposed the last place you’d look for a royal party would be at the home of a commoner. Except we didn’t go to any of the apartments inside. Once we stepped into the building’s lobby, Adrian indicated we should put our masks on. He then took me over to what appeared to be a janitor’s closet. It wasn’t. Instead, the door opened to a staircase leading down into darkness. I couldn’t see the bottom, which put me on high alert. I instinctively wanted to know the details of every situation I entered. Adrian seemed calm and confident as he headed down, so I took it on faith he wasn’t leading me to some sacrificial altar. I hated to admit it, but curiosity over this Death Watch thing was temporarily taking my mind off Dimitri. Adrian and I eventually reached another door, and this one had two guards. Both men were Moroi, both masked like Adrian and me. Their postures were stiff and defensive. They said nothing but simply looked at us expectantly. Adrian said a few words that sounded like Romanian, and a moment later, one of the men unlocked the door and gestured us inside. â€Å"Secret password?† I murmured to Adrian as we swept past. â€Å"Passwords, actually. One for you and one for me. Every guest has a unique one.† We stepped into a narrow tunnel lit only by torches embedded in the walls. Their dancing flames cast fanciful shadows as we passed by. From far ahead, the low murmur of conversation reached us. It sounded surprisingly normal, like any conversation you’d hear at a party. Based on Adrian’s description, I’d half-expected to hear chanting or drums. I shook my head. â€Å"I knew it. They keep a medieval dungeon under the Court. I’m surprised there aren’t chains on the walls.† â€Å"Scared?† Adrian teased, clasping hold of my hand. â€Å"Of this? Hardly. I mean, on the Rose Hathaway Scale of Scariness, this is barely a–â€Å" We emerged out of the hall before I could finish. An expansive room with vaulted ceilings spread out before us, something that boggled my spatially challenged brain as I tried to recall just how far underground we’d gone. Wrought-iron chandeliers holding lit candles hung from the ceiling, casting the same ghostly light the torches had. The walls were made of stone, but it was a very artful, pretty stone: gray with reddish flecks, polished into smooth round pieces. Someone had wanted to keep the Old World dungeon feel but still have the place look stylish. It was a typical line of royal thinking. Fifty or so people were milling around the room, some huddled in groups. Like Adrian and me, they wore formal clothing and half masks. All the masks were different. Some had a floral theme like mine, while others were decorated with animals. Some simply had swirls or geometric designs. Even though the masks only covered half the guests’ faces, the sketchy lighting went a long way to obscure any other identifying features. I scrutinized them carefully, hoping I might pick out details that would give someone away. Adrian led me out of the entryway and over toward a corner. As my view of the area expanded, I could see a large fire pit in the middle of the room, embedded in the stone floor. No fire burned in it, but everyone kept well away. For a moment, I had a disorienting flash of deja vu, thinking back to my time in Siberia. I’d been to a type of memorial ceremony there too–though hardly one with masks or passwords–and everyone had sat around a bonfire outdoors. It had been in Dimitri’s honor, as all those who had loved him sat and told stories about him. I tried to get a better look at the fire, but Adrian was intent on keeping us behind the bulk of the crowd. â€Å"Don’t bring attention to yourself,† he warned. â€Å"I was just looking.† â€Å"Yeah, but anyone who looks too close is going to realize you’re the shortest person here. It’d be pretty obvious you’re a dhampir. This is elite old blood, remember?† I frowned at him as much as I could through the mask. â€Å"But I thought you said you’d made arrangements for me to be here?† I groaned when he didn’t answer. â€Å"Does ‘making arrangements’ mean just sneaking me in? If so, those guys were kind of crap security.† Adrian scoffed. â€Å"Hey, we had the right passwords. That’s all it takes. I stole–er, borrowed them off my mom’s list.† â€Å"Your mom’s one of the people who helped organize this?† â€Å"Yup. Her branch of the Tarus family’s been deep inside this group for centuries. They apparently had a really big ceremony here after the school attack.† I turned all of this over in my mind, trying to decide how I felt. I hated when people were obsessed with status and appearances, yet it was hard to fault them wanting to honor those who had been killed–particularly when a majority of them had been dhampirs. The Strigoi attack on St. Vladimir’s was a memory that would forever haunt me. Before I could ponder much further, a familiar sensation swept me. â€Å"Lissa’s here,† I said, looking around. I could feel her nearby but didn’t spot her immediately in the sea of masks and shadows. â€Å"There.† She stood apart from some of the others, wearing a rosehued dress and a white and gold mask with swans on it. Through our link, I felt her searching for anyone she knew. I impulsively started to go to her, but Adrian held me back, telling me to wait while he retrieved her. â€Å"What is all this?† she asked when she reached me. â€Å"I figured you’d know,† I told her. â€Å"It’s all top secret royal stuff.† â€Å"Too top secret for me,† she said. â€Å"I got my invite from the queen. She told me it was part of my heritage and to keep it to myself, and then Adrian came and said I had to come for your sake.† â€Å"Tatiana invited you directly?† I exclaimed. Maybe I shouldn’t have been surprised. Lissa would have hardly needed sneaking in like I did. I figured someone would have made sure she got an invitation, but I’d assumed it had all been Adrian’s doing. I glanced around uneasily. â€Å"Is Tatiana here?† â€Å"Likely,† said Adrian, voice annoyingly casual. As usual, his aunt’s presence didn’t have the same impact on him that it did the rest of us. â€Å"Oh, hey. There’s Christian. With the fire mask.† I didn’t know how Adrian spotted Christian, aside from the not-so-subtle mask metaphor. With his height and dark hair, Christian easily blended in with the other Moroi around him and had even been chatting with a girl standing nearby, which seemed out of character. â€Å"No way did he get a legit invite,† I said. If any Ozeras had been deemed special enough to come to this, Christian wouldn’t have been one of them. â€Å"He didn’t,† agreed Adrian, making a small gesture for Christian to join us. â€Å"I gave him one of the passwords I stole from Mom.† I gave Adrian a startled look. â€Å"How many did you steal?† â€Å"Enough to–â€Å" â€Å"Let us come to attention.† A man’s booming voice rang out through the room, halting both Adrian’s words and Christian’s steps. With a grimace, Christian returned to where he’d been standing, cut off from us now on the other side of the room. It looked like I wouldn’t have the chance to ask Lissa about Dimitri after all. Without any direction, the others in the room began forming a circle around the fire pit. The room wasn’t big enough for us to make a single-layered circle, so I was still able to stay behind other Moroi as I watched the spectacle. Lissa stood by me, but her attention was fixated across from us, on Christian. She was disappointed that he hadn’t been able to join us. â€Å"Tonight we come to honor the spirits of those who died fighting the great evil that has plagued us for so long.† This was the same man who had called us to attention. The black mask he wore glittered with silver swirls. He wasn’t anyone special that I recognized. It was probably safe to assume that he was someone from an important bloodline who happened to have a good voice for bringing people together. Adrian confirmed it. â€Å"That’s Anthony Badica. They always recruit him as an emcee.† Anthony seemed more like a religious leader than an emcee right now, but I didn’t want to answer back and attract anyone’s notice. â€Å"Tonight we honor them,† continued Anthony. I flinched as almost everyone around us repeated those words. Lissa and I exchanged startled looks. Apparently, there was a script we hadn’t been told about. â€Å"Their lives were taken from us too soon,† continued Anthony. â€Å"Tonight we honor them.† Okay, this script might not be so hard to follow after all. Anthony kept talking about how terrible the tragedy was, and we repeated the same response. The whole idea of this Death Watch still weirded me out, but Lissa’s sadness permeated the bond and began to affect me too. Priscilla had always been good to her–and polite to me. Grant might have only been Lissa’s guardian a short time, but he had protected her and helped her. In fact, if not for Grant’s work with Lissa, Dimitri might still be a Strigoi. So, slowly, the gravity of it all began to hit me, and even if I thought there were better ways to mourn, I appreciated the acknowledgment the dead were getting. After a few more refrains, Anthony gestured someone forward. A woman in a glittering emerald mask came forward with a torch. Adrian shifted beside me. â€Å"My darling mother,† he murmured. Sure enough. Now that he’d pointed it out, I could clearly make out Daniella’s features. She tossed her torch into the fire pit, and it lit up like the Fourth of July. Someone must have doused that wood with either gasoline or Russian vodka. Maybe both. No wonder the other guests had kept their distance. Daniella melted into the crowd, and another woman came forward holding a tray with golden goblets. Walking around the circle, she handed a cup to each person. When she ran out, another woman appeared with a tray. As the goblets were distributed, Anthony explained, â€Å"Now we will toast and drink to the dead, so that their spirits will move on and find peace.† I shifted uncomfortably. People talked about restless spirits and the dead finding peace without really knowing what that meant. Being shadow-kissed came with the ability to see the restless dead, and it had taken me a long time to gain control so that I didn’t see them. They were always around me; I had to work to keep them blocked out. I wondered what I’d see now if I let down my walls. Would the ghosts of those killed the night of Dimitri’s attack be hovering around us? Adrian sniffed his cup as soon as he got it and scowled. For a moment, I felt panic until I sniffed mine too. â€Å"Wine. Thank God,† I whispered to him. â€Å"From your face, I thought it was blood.† I recalled how much he hated blood that wasn’t straight from the source. â€Å"Nah,† he murmured back. â€Å"Just a bad vintage.† When everyone had their wine, Anthony raised his cup over his head with both hands. With the fire behind him, it gave him an almost sinister, otherworldly look. â€Å"We drink to Priscilla Voda,† he said. â€Å"We drink to Priscilla Voda,† everyone repeated. He brought the goblet down and took a sip. So did everyone else–well, except for Adrian. He gulped half his down, bad vintage or not. Anthony raised his cup over his head again. â€Å"We drink to James Wilket.† As I repeated the words, I realized James Wilket was one of Priscilla’s guardians. This crazy group of royals really was showing respect to dhampirs. We went through the other guardians one by one, but I kept my sips small, wanting to keep a level head tonight. I was pretty sure that by the end of the name list, Adrian was faking his sips because he’d run out. When Anthony finished naming all who had died, he held his cup up again and approached the blazing fire, which had begun to make the small room uncomfortably hot. The back of my dress was growing damp with sweat. â€Å"To all those lost by the great evil, we honor your spirits and hope they will move on in peace to the next world.† He then dumped the remainder of his wine into the flames. All this talk of spirits lingering in the world certainly didn’t go along with the usual Christian afterlife beliefs that dominated Moroi religion. It made me wonder just how old this ceremony really was. Once more, I had an urge to drop my barriers and see if any of this had really drawn ghosts to us, but I feared what I’d find. Besides, I promptly got distracted when everyone else in the circle began dumping their wine into the fire as well. One by one, going clockwise, each person approached. All was silent as this happened, save for the crackling in the fire pit and shifting of logs. Everyone watched respectfully. When my turn came, I fought hard not to tremble. I hadn’t forgotten that Adrian had sneaked me in here. Lowly Moroi weren’t allowed, let alone dhampirs. What would they do? Declare the space violated? Mob me? Cast me into the fire? My fears proved unfounded. No one said or did anything unusual as I poured out my wine, and a moment later, Adrian stepped forward for his turn. I melted back beside Lissa. When the entire circle had gone up, we were led into a moment of silence for the departed. Having witnessed Lissa’s kidnapping and subsequent rescue, I had a lot of dead to ponder. No amount of silence would ever do them justice. Another unspoken signal seemed to pass through the room. The circle dispersed, and the tension lifted. People again fell into small chatty groups, just like at any other party, though I did see tears on the faces of some. â€Å"A lot of people must have liked Priscilla,† I observed. Adrian turned toward a table that had mysteriously been arranged during the ceremony. It sat against the back wall and was filled with fruit, cheese, and more wine. Naturally, he poured a glass. â€Å"They aren’t all crying for her,† he said. â€Å"I find it hard to believe they’re crying for the dhampirs,† I pointed out. â€Å"No one here even knew them.† â€Å"Not true,† he said. Lissa quickly caught his meaning. â€Å"Most of the people who went on the rescue would have been guardians assigned to Moroi. They couldn’t all be Court guardians.† She was right, I realized. We’d had too many people with us at the warehouse. Many of these Moroi had undoubtedly lost guardians that they’d become close to. Despite the disdain I often had for these types of royals, I knew some had probably formed legitimate friendships with and attachments to their bodyguards. â€Å"This is a lame party,† a voice suddenly said. We turned and saw that Christian had finally made his way over to us. â€Å"I couldn’t tell if we were supposed to be having a funeral or summoning the devil. It was kind of a half-assed attempt at both.† â€Å"Stop it,† I said, surprising myself. â€Å"Those people died for you last night. Whatever this is, it’s still out of respect for them.† Christian’s face grew sober. â€Å"You’re right.† Beside me, I’d felt Lissa light up inside when she saw him. The horrors of their ordeal had brought them closer together, and I recalled the tenderness they’d shared on the ride back. She offered him a warm look and got a tentative smile in return. Maybe some good would come of all that had happened. Maybe they’d be able to fix their problems. Or maybe not. Adrian broke into a grin. â€Å"Hey. Glad you could make it.† For a moment, I thought he was speaking to Christian. Then I looked and saw a girl in a peacock mask had joined us. With the mingling people and masks, I hadn’t noticed that she was purposely standing near us. I peered at her, seeing only blue eyes and golden curls before I finally recognized her. Mia. â€Å"What are you doing here?† I asked. She grinned. â€Å"Adrian got me a password.† â€Å"Adrian apparently got passwords for half the party.† He seemed very pleased with himself. â€Å"See?† he said, smiling at me. â€Å"I told you I’d make this worth your while. The whole gang’s here. Nearly.† â€Å"This is one of the weirdest things I’ve ever seen,† said Mia, glancing around. â€Å"I don’t see why it has to be a secret that the people who got killed were heroes. Why can’t they wait for the group funeral?† Adrian shrugged. â€Å"I told you, this is an ancient ceremony. It’s a holdover from the Old Country, and these people think it’s important. From what I know, it used to be a lot more elaborate. This is the modernized version.† It occurred to me then that Lissa hadn’t said a single word since we’d noticed Christian had come with Mia. I opened myself to the bond, feeling a flood of jealousy and resentment. I still maintained Mia was one of the last people Christian would be involved with. (Okay, it was hard for me to imagine him involved with anyone. His getting together with Lissa had been monumental.) Lissa couldn’t see that, though. All she saw was him continually hanging out with other girls. As our conversation continued, Lissa’s attitude grew frostier, and the friendly looks he’d been giving her began to fade. â€Å"So is it true?† Mia asked, oblivious to the drama unfolding around her. â€Å"Is Dimitri really†¦ back?† Lissa and I exchanged glances. â€Å"Yes,† I said firmly. â€Å"He’s a dhampir, but no one believes it yet. Because they’re idiots.† â€Å"It just happened, little dhampir.† Adrian’s tone was gentle, though the topic clearly made him uncomfortable too. â€Å"You can’t expect everyone to get on board with it right away.† â€Å"But they are idiots,† said Lissa fiercely. â€Å"Anyone who talks to him can tell he’s not a Strigoi. I’m pushing for them to let him out of his cell so that people can actually see for themselves.† I wished she would push a little harder for me to get to see him, but now wasn’t the time to talk about that. Eyeing the room, I wondered if some people would have trouble accepting Dimitri because of his role in the deaths of their loved ones. He hadn’t been in control of himself, but that wasn’t enough to bring back the dead. Still uncomfortable around Christian, Lissa was growing restless. She also wanted to leave and check on Dimitri. â€Å"How long do we have to stay here? Is there more to–â€Å" â€Å"Who the hell are you?† Our little cluster turned as one and found Anthony standing by us. Considering most of us were here illicitly, he could have been speaking to anyone. But, based on where his gaze was fixed, there was no question who he meant. He was talking to me. How to cite Spirit Bound Chapter Nineteen, Essay examples

Monday, May 4, 2020

Technology Essay Introduction Example For Students

Technology Essay Introduction Technology PaperIntroductionWhen mainframe and minicomputers providedthe backbone of business computing, there were essentially networked environmentsin the sense that dumb terminals shared access to a single processor(the minicomputer or mainframe), printer (or printers) and other peripheraldevices. Files could be shared among users because they were storedon the same machine. Electrical and operational connections wereavailable in common and shared applications, and implementation of newhardware, software and users was a simple task so long as a single vendorwas used. With the proliferation of microcomputers in the businessenvironment, information became distributed, located on the various harddrives attached to personal computers in an office, and difficult for otherusers to access. Today, network systems which connect disparate hardware,software and peripherals are commonplace, but the communication programwhich makes using these systems has not kept up with the demand for suchen vironments, although a number of companies are now participating in thefield. This research considers two of the most popular network operatingsystems (NOS), NetWare by Novell and Windows NT by Microsoft, and considerswhich is appropriate for business applications. Network Operating SystemsOperating systems are the interface betweenindividual programs and the user. Through the operating system, theuser is able to name files, move them and otherwise manipulate them, andissue commands to the computer as to what the user wants to do. Networkoperating systems are similar to this, but exist (as the name implies)in the network environment. Thus a network operating system is usedto issue commands to shared devices, and to provide a background againstwhich scarce resources are divided among competing users. Ideally,the network operating system is transparent to the user, who is only awareof the ability to share information and resources. An efficient NOScan make the difference between a productive and an unproductive office,and between workers who are difficult to replace when they leave and thosewho are likely to be familiar with the NOS of choice. Despite their importance, network operatingsystems have faced challenges in the market because of the diverse hardwarerequirements that they must meet. Because of this, several differentoperating systems have been developed, some of which run in place of traditional(single-user) operating systems, and some of which run in addition to thesesystems. OS/2, for example, provides a multi-user environment withoutrequiring a separate operating system. NOS development gained widespread acceptancewhen companies such as Artisoft (which manufactures Lantastic) introducedclient software which worked with a variety of servers. This madesoftware manufactured by companies such as Novell (which required specialclient-side networking software) vulnerable, and Microsofts Windows 95quickly became the client software of choice in the market (although notalways among analysts) when it was introduced since it can interface witha number of different server systems with complete transparency to theuser. This is the same concept used to develop OS/2 Warp Connect. Comparison CriteriaBecause of the current state of the market,having 32-bit capability is a requirement in most network environments. The various NOS alternatives need to offer a strong file and print base,since that is how most users access and use the networks. Applicationservices, which includes the ability to run messaging, database, and otherserver-based applications efficiently in a client/server network is anessential requirement of most modern networks. Multiprocessor supportis an essential component, as is fault tolerance, high-quality developmenttools, and application support from third-party vendors. Hardware integration is also a key issuesince the NOS should be able to run on hardware which is readily availableat reasonable rates, and which is likely to continue to be available inthe future. Both the type of processor and the ability to use morethan one processor are important considerations in this regard. Arelated issue is the networking infrastructure, which includes the easeof use of the network transfer protocols and how well the server softwareprocesses multiple LAN adapters and internal routing. Should the united states end drug prohibition EssayWindows NTWhen it comes to application services,Windows NT Server offers strong support for multiple as well as non-Intelprocessors along with abundant APIs, and applications from third-partyapplication vendors. In addition, Windows NT uses a domain namingand security setup. Similar to the naming service offered by Novell,the domain system gives users easy access to the network, but only afteran exchange of verification information takes place between domain serversthat trust each other. Windows NT servers are make using theInternet Protocol (IP) easier than NetWare does; IP carries the favoritesorting tags of the powerful Internet working routers, while NetWare IPXdoes not convey all of the routing information of IP. The situationhas improved, however, now that NetWare provides NetWare/IP. RecognizingNovells strong presence in the NOS market, Microsoft has also adoptedNovells network transport protocol, IPX/SPX, yielding software flexibilityon servers and extended options in extensions to the network. Microsoft Windows NT Server 3.51 offersa combination of good file and print capabilities, excellent applicationservices, and optional messaging, database, mainframe connectivity, andmanagement applications contained in Microsofts BackOffice applicationssuite. The products that make up Microsoft BackOffice integrate wellwith one another and with the Windows NT Server to provide many of thefunctions a network operating environment needs. However, Windows NT Server lacks powerfulnaming services. Windows NT Servers naming services are based on domains,each of which can contain only one defined organization. It is possibleto link domains so that users in one domain can easily access the filesand services of another. However, the process of setting up and managingthese links is more complex and cumbersome than working with NetWare. ConclusionBecause of the way in which network operatingsystems are currently written, and because of the strengths and weaknessesof NetWare and Windows NT, neither solution is the appropriate solutionfor every type of business or every type of network environment. Instead, the type of environment in which the NOS will be placed determinesthe correct product. If the organization is using a local network onlyto store word processing and spreadsheet files and to print, theneither NetWare or Windows NT offers a reasonable alternative as the NOSof choice since both handle these functions with ease. If the system includes a number of geographiclocations and information and requests for functions is passed among sophisticatedapplications, a richer and more robust environment is needed. A numberof organizations have turned to combining network operating systems inorder to support these more sophisticated needs. In these situations,the users gain the strengths of both systems while eliminating their weaknesses(the domain dependence of Windows NT, for example). BibliographyDryden, Patrick. Server Tune-UpHelps NT, NetWare Efficiency. Computerworld, November 11, 1996, 65-66. Microsoft Support. http://www.microsoft.com/support/. Newman, David and David Hurd. SMP:Expect the Unexpected. Data Communications, 21 March 1996, 56-63. Stanczak, Mark. NetWare, NT Server Command-Central.PC Week, 15 January 1996, N1-N2. __________. NOSes Challenge the Powerof Next-Generation Hardware. PC Week, 1 April 1996, 75-76. Support. http://support.novell.com. Surkan, Michael. NetWare SMP Cant KeepUp with the Competition. PC Week, 1 April 1996, 78. Vaughan-Nichols, Steven J. Web-ServerBeats Novells NetWare Entry in Both Versatility and Capacity. Byte, May1996, 113-115.